ANTHROPOLOGY OF MOTHERHOOD
 

ANTHROPOLOGY OF MOTHERHOOD

CULTURE OF CARE SERIES

All events are free and open to the public.

Anthropology of Motherhood's Culture of Care series features artists who engage in the complex visual, material, emotional, corporeal, and lived experiences of motherhood, caregiving, parenting, nurturing, and maternal labor. Through video, sculpture, painting, and photography, they address maternal identities with birth as a metaphor for regeneration, creation and renewal. Taking maternal subjectivity as a starting point, the series seeks to expand upon the idea of a broader culture of care and its potentialities within visual art practices as it intersects with feminisms, social justice issues, and activism.

 
 
 

Writing and Literature as Forms of Care with Author Susan Muaddi Darraj

APRIL 14, 2024 | 3:30 pm - 4:30 pm EDT

CITY OF ASYLUM | 40 W NORTH AVE, PITTSBURGH, PA 15212

Award-winning author and professor Susan Muaddi Darraj will discuss how a culture of care features into her career as a writer, mother, and activist. She will discuss how writing is her form of caregiving and self care. Muaddi-Darraj has published several books from the perspective of Palestinian-American mothers living in the US, such as A Curious Land, The Inheritance of Exile and a chapter book series Farah Rocks for 2nd-5th graders. Her new book, BEHIND YOU IS THE SEA, was named Book of the Month by Apple, and will be released on Jan 16 by HarperVia. ASL interpretation will be provided.

 
 
 

From top left clockwise: Terri Minor-Spencer, Sarah Shotland, Shanda Harris, Dmitra Gideon

Freedom to Care: Dialogues on Incarceration & Motherhood

MARCH 20, 2024 | 7:00 pm - 8:30 pm EDT

CITY OF ASYLUM | 40 W NORTH AVE, PITTSBURGH, PA 15212

How does one cultivate a culture of care within the incarceration system?

Mothers are the fastest growing demographic in the US prison system, and kids of imprisoned parents make up the fourth largest “school district” in the country. Hearing from those with personal experience attempting to mother in and after incarceration is a vital component of ending the violence that comes with incarcerating increasing numbers of mothers. In this conversation of care, panelists will share their personal experiences and consider the constraints, complexities and ingenuities they encountered with carceral motherhood. ASL interpretation will be provided.

ABOUT THE PANELISTS

  • Dmitra Gideon (they/she/he) is a writer, educator, and a founding member of Pittsburgh Family Liberation, a collective focused on mutual aid, advocacy, and community care for youth and families targeted by carceral systems. They are the Director of Youth-Centered Programming and Community Collaboration with Write Pittsburgh. In addition to frolicking around behind the scenes at Write Pittsburgh, Dmitra facilitates workshops at Passages to Recovery and the Allegheny County Jail, and assists the Teen Council. Their writing has appeared in PANK Magazine, SFWP Quarterly, Trace Fossils Review, and new {words} press, among others.

  • Shanda Harris is a woman of color with 4 children that she raised in a low-to-moderate income community. Shanda is a concerned parent who has dealt with - and still deals with - being a mother of an incarcerated/formerly incarcerated child. She now advocates for all -- especially our youth/young adults that face mental health issues, gun violence, drug addiction and abandonment on a day to day basis -- which has led her to a journey in entrepreneurship. Shanda has started several businesses over twenty plus years. She's now a proud owner of Shirl The Pearls’ bar, restaurant, and hotel establishment. After much time spent running her operation, she decided to focus on new ideas, and became the Founder/President of a non-profit organization called Team G.R.O.W (Great Resources of Wisdom) 6 years ago, operating in the Hill District Community. Shanda has devoted herself to connecting with families in the community through an outreach of love, education, togetherness, and trust. Being a mother and seeing other mothers go through some, if not all, of the struggles she went through and still faces today, makes her work hard to reach families through Team G.R.O.W’s programming opportunities, which show others how to gain and keep skills that will help build self-esteem and self-sufficiency that will benefit them for a lifetime.

  • Terri Minor-Spencer is the Founder and President of West End P.O.W.E.R., a nonprofit organization committed to strengthening communities through activism, advocacy, education, equity, and promoting unity. Terri is a tireless advocate for her community, working closely with returning citizens to reform the Criminal Justice System, participating in job readiness programs, serving as a G.E.D. Instructor, and being an advocate for entrepreneurs. As a respected servant of the community Terri and her service to others have been prominently featured in Public Source, 90.5 WESA, NOBLE Magazine—the National Magazine of the National Organization of Black Law Enforcement Officers—and numerous other publications. In 2019 she was awarded the Pittsburgh Courier Women of Excellence Award and was a finalist for the Jefferson Awards, and in 2014 received a proclamation from the City of Pittsburgh declaring October 7th Terri Minor-Spencer Day for her Advocacy and Community Outreach Volunteerism. She is a graduate of the Emerge America Cohort and board member of the Abolitionist Law Center, among many other boards and committees that address gun violence, youth empowerment, and community advancement.

  • Sarah Shotland co-founded Words Without Walls, which brought creative writing programs to jails, prisons, and drug treatment facilities from 2009-2022. As program director, she facilitated writing groups with thousands of incarcerated artists and mentored over fifty teaching artists working with the program. She is the author of the novel Junkette (WG Press, 2014), and the participatory nonfiction publication Abolition is Everything (Antenna Press, 2021). Sarah’s work has been funded by the National Endowment for the Arts and the National Endowment for the Humanities, and has been published in Ploughshares, Creative Nonfiction, The Iowa Review, and elsewhere. She is Assistant Professor of English at Carlow University, where she also serves as Program Director of Madwomen in the Attic.

 
 

CALL FOR ART

Learn more and apply below.
Submissions due March 31st.


 
 

ANTHROPOLOGY of MOTHERHOOD

KINSHIP and OTHERMOTHERING

THREE RIVERS ARTS FESTIVAL | PITTSBURGH, PA | MAY 31- JUNE 9, 2024

 
 

Anthropology of Motherhood (AOM) announces an open call for artists to participate in our upcoming exhibition AOM: Kinship and OthermotheringApply by March 31st to be considered as part of AOM's ninth year with the Three Rivers Arts Festival in Pittsburgh, PA, from May 31st through June 9th, 2024. This exhibition will explore the diverse interpretations and contemporary expressions of kinship - the bonds that connect us, whether by blood, friendship, community, or shared experience – as models of solidarity, activism, and resistance that have the potential to generate robust infrastructures of care.

AOM supports and aims to uplift intersectional and interdisciplinary visual artists, designers, and creative practitioners through a curatorial model of care. As such, we welcome creatives and artists from all backgrounds and identities to submit their work/projects/proposals. We encourage submissions that challenge ableist, Western, heteronormative, patriarchal and capitalist notions of kinship and offer alternative models rooted in diverse lived experiences and cultural contexts.

Within maternal feminist discourses, kinship is often defined and understood through the lens of the care paradigm, caregiving, nurturing relationships, and values of the maternal. The AOM project is grounded in a maternal feminist lens that emphasizes the value of maternal roles and qualities, carework and complex networks of nurturing relationality in both private and public spheres.

In addressing the complexity and fluidity of kinship, we look to black feminist scholars such as Patricia Hill Collins, who coined the terms “Othermothering” and “Community Mothering,” which, according to Kaila Adia, “has been defined as a form of mothering that is rooted in political activism and within a Black Feminist paradigm. It is the concept of accepting responsibility for a child that is not one’s own in an arrangement that may or may not be formal. Although motherhood is a contradictory institution experienced in diverse ways by different women.”

For this exhibition, we look to Queer kinship, which refers to the ways in which the LGBTQIA2S+  community forms familial and close relational bonds that may or may not conform to patriarchal notions of family and kinship. Queer kinship articulates the ways in which queer-identifying people create and sustain meaningful relationships in the context of broader societal structures that privilege heteronormative family models, such as through “chosen families.”

We also center indigenous concepts of kinship, which differ widely among various cultures around the world, but often share certain characteristics that distinguish them from Western notions of kinship such as: extended family structure, non-biological ties, clan and totem systems, and a connection to land and ancestors.

 
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We must expand the definition of motherhood - motherhood in physiology, socio-economic terms, gender, and race.
— Flan Flaherty, AoM Founder
 
 
 
 
 

Background Video by Sarah Shotts.

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Image Description: Anthropology of Motherhood logo depicts the abstract outline of a bare-breasted mother looking down at their baby in bold, thick, black strokes.

AN ONGOING PROJECT

Anthropology
of Motherhood

The Anthropology of Motherhood project is an ongoing curation of artwork and design that engages in the complex visual, material, emotional, corporeal and lived experiences of motherhood, care-giving, parenting, nurturing and maternal labor.

 
 
 
I want to make sure that we are more in tune with the principles of the social model of disability and continue to use the arts, not only to showcase and develop the artists within Wales, but also capture opportunities to highlight social injustice.

All arts are in some way political [with a small ‘p’] and have a function beyond admiration and entertainment. They capture moments from beauty to suffering, they affirm and motivate us, they mirror society to raise concerns, and give us hope in our shared humanity.
— Ruth Fabby, Disability Arts CYMRU
 
 
 
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Indigenous people have stewarded Alaska for thousands of years. Their holistic understanding of the environment created a sustainable and symbiotic relationship with the waters, plants and animals of the land.
 
 
Land Acknowledgment is the public recognition of this knowledge and care. We look to Indigenous Elders and their youth for guidance. It is only Indigenous ways of being that will ensure our collective future.
— MELISSA SHAGINOFF, of the Udzisyu and Cui Ui Ticutta clans in Nay'dini'aa Na Kayax
 
 
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How I can create more opportunities in public spaces where mothers can practice patience, care and grace on and for themselves?
— Jessica Moss, Artist
 
 
 
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