EMILY CADEGAN
Clown Pants (After Granny), 2024
Sewn overalls, beret, interwoven elastic and velcro, 52 x 23 inches
These overalls represent a reclamation of my body and the creation process speaks to family traditions. The ensemble is designed with disability in mind, and is reactive to the proprioceptive mobility aid, the Body Braid, that I wear daily for Ehlers-Danlos Syndrome. This medical equipment enables me to participate in community life with less fatigue and fewer sprains, but wearing the braid creates a sartorial boundary. The thick, black elastic crosses across the torso and down the legs. Even if I wear it under garments, the compression changes how clothes fit my form. The convertible configuration of the overalls is responsive both to the physical boundaries from the Body Braid and to the way I exist in space, and is made of both self-drafted components and modified patterns.
In addition to functional use, this piece represents a breakthrough in my treatment plan for chronic hand pain. After nearly 20 years of debilitating symptoms, a hypermobility physical therapist identified the issue as flat arches in my hands. I have been able to build my strength thanks to targeted treatment, enabling me to do more: the straps and bow are the first things that I made entirely with handwork since my father taught me how to sew in my childhood.
The design itself is based heavily on the rainbow overalls that my granny sewed for my dad when he was a volunteer clown, which he then passed on to me as a teenager. Wearing something bright and colorful that represented generational love and human endeavor made me happy during a time characterized by my body and mind unwinding to extents I’d yet to experience. This new pair of clown pants symbolizes navigating disabled adulthood with dignity and joy, and they celebrate both the tools I have and a family tradition of care.
Emily Cadegan is an artist and educator interested in how we generate meaning across different media and perceive meaning through various funds of knowledge. She primarily works with visual media and textile art. Cadegan learned sewing from her father as a child, and expanded her craft through theatrical costuming. Currently, her work concerns adaptive clothing and design components which work in concert with medical equipment. As a disabled artist, Cadegan concerns herself with both conflicting access needs within individuals, such as physical disability interfering with mental illness treatment plans, and equal access to joy.